Category Archives: News – Masterclasses

News about Movie Masterclasses

Movie Masterclass – Ozu’s ‘Tokyo Story’ at the European Film College

We are pleased to share Mamoun’s masterclass on Ozu’s masterpiece, Tokyo Story. Mamoun has revisited this film several times, but this most recent visit at the European Film College in Ebeltoft allowed him to discuss the film with the students in detail.

 

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Discussion on Lindsay Anderson – BFI Southbank – Monday 14th March

lindsay-anderson-01Mamoun is pleased to have been invited to join the panel talking about the Film and Theatre Director, Film writer and influential film critic, Lindsay Anderson.

The talk is being chaired by film critic and writer, David Robinson, and the panel includes oscar winner Kevin Brownlow, and film writer Charles Drazin.

Due to the popular public response, the event has been moved from NFT3 to NFT1.

More information can be found here.

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Babylon – a Conversation at Theatre Utopia with Lee Fairweather

We are pleased to be able to share the conversation about Babylon from the event at Theatre Utopia in December 3rd 2015.

Despite the loud live music that was being played in the same building, the conversation was lively, and covered not just the film but also the issue of positive discrimination and the politics of race in cinema and society.

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Passport to Cinema: The Enigma of Kaspar Hauser (1974) by Werner Herzog

51EjuEKAvULMamoun would like to thank Dominic Power of the NFTS for inviting him to introduce Werner Herzog’s landmark movie, The Enigma of Kaspar Hauser on Monday 2nd November at the BFI Southbank in NFT2.

Mamoun has this to say about the New German Cinema:

It is a mystery how and why a country suddenly finds a distinct cinematic voice and creates a ‘new’ cinema. Political, social and economic factors provide only partial insights. In Europe, the ‘new’ cinema moved from Italy to France, to the UK (culturally colonised by Hollywood, we preferred ‘free’ over ‘new’) to Poland to Czechoslovakia and, in the 70s, to Germany, or, more significantly, West Germany.

600full-ali--fear-eats-the-soul-posterThe creators of the New German Cinema – Werner Herzog, Rainer Werner Fassbinder, Margarethe von Trotta, Volker Schlöndorff , Werner Schröter and Wim Wenders, had diverse styles but collectively they were all radical-left/anarchist. At one end, Fassbinder was hostile to all institutions – and individuals as part of institutions – past and present; at the other end, Herzog focused on individuals whose obsessions, delusions, dreams, fantasies, aspirations made them impossible to assimilate – and led them to destruction.

urlThe question that is rarely addressed is how the filmmakers were supported and financed: public funding from the Länder, the federal government and private sector support from television, film distributors and exhibitors ensured the flowering of the talents of the New German Cinema.

Die_BlechtrommelHerzog has to date written and directed 18 features, including epics shot in the Amazon. Fassbinder made 41 films, intimate in scale, in 14 years – 41 ‘personal’ films, while Lindsay Anderson, Tony Richardson and Karel Reisz together made only some 30 feature films in their entire careers. But then our investors didn’t like politics (still don’t) – they followed Sam Goldwyn, who said: ‘If you want to send a message use Western Union’. Commercial viability was (and is) their only criterion. And we know how certain that is…

 

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My Darling Clementine – now on Blu-Ray – featuring a Movie Masterclass!

A fantastic new Blu-Ray release of John Fords ‘My Darling Clementine‘ was released on 17th August by Arrow Video – with both the original premiered cut in 4K and the longer pre-release cut in 2K.

Clementine Blu-Ray

They are beautiful transfers that are a joy to watch, but the extras really make the set something special. Included on the first disc is the Movie Masterclass on ‘My Darling Clementine‘ written and presented by the great british director, Lindsay Anderson. As regular readers of this site will know, Mamoun devised, produced and presented this series in the late 80’s. Mamoun is delighted that Lindsay’s masterclass has been included in this set, alongside other interviews and movies.

Other Wyatt Earp pieces in the collection include a transfer of Allan Dwan’s ‘Frontier Marshall‘(1939)  and two radio plays starring Henry Fonda and Richard Conte as Earp.

As this is a limited edition, we advise you to get hold of it while you can.

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Mamoun returns to the European Film College – 23rd and 24th September

Children are watching us

I Bambini Ci Guardano 1944 (The Children are Watching us)

Mamoun is looking forward to his yearly visit to the European Film College to give two masterclasses on De Sica’s Bicycle Thieves and  Ozu’s Tokyo Story However there will be a twist. His discussion will also refer to De Sica’s pre-neorealist film The Children are watching Us (1944). He will explore how De Sica’s craft developed but also how certain inspirations persisted.

Under principal Nadia Kloverdahl Reich the College is developing physically and educationally – with a new building and a new faculty amongst many changes. A happy combination of the old and the new. Mamoun looks forward to working with Micah Magee, the new Directing Fiction teacher.

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The Third Man – special event at BFI Southbank 26th June

The Third Man 4K PosterMamoun is pleased to have another exploration into Carol Reed’s ‘The Third Man’ as he is introducing a screening of the newly restored 4K print, followed by a Masterclass. This is one of the rare opportunities to join Mamoun in discussion.

The screening is on Friday 26 June 2015 14:00 in NFT2

Tickets Here

Thanks to StudioCanal and David Somerset at BFI Southbank.

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