Tag Archives: Movie

The Apu Trilogy on Blu-Ray from Criterion – 17 Nov 2015

The Apu TrilogyWe are pleased to be able to announce that the major new Criterion restoration of Satyajit Ray’s Apu Trilogy is to be released on 17 November 2015.

There is so much to see in this set, including a rare interview with Ray, and it promises to be a remarkable restoration with the level of expertise, time and resources that have been lavished upon it. As the films were scanned and restored in 4K, they are also going to have an extended life in the movie theatres around the world.

Mamoun is happy to have been invited to take part in this release with his own supplement to the films: The Apu Trilogy – A Closer Look. The other supplements include a video essay by definitive Ray biographer Andrew Robinson, with a contribution from Martin Scorsese.

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Mamoun returns to the European Film College – 23rd and 24th September

Children are watching us

I Bambini Ci Guardano 1944 (The Children are Watching us)

Mamoun is looking forward to his yearly visit to the European Film College to give two masterclasses on De Sica’s Bicycle Thieves and  Ozu’s Tokyo Story However there will be a twist. His discussion will also refer to De Sica’s pre-neorealist film The Children are watching Us (1944). He will explore how De Sica’s craft developed but also how certain inspirations persisted.

Under principal Nadia Kloverdahl Reich the College is developing physically and educationally – with a new building and a new faculty amongst many changes. A happy combination of the old and the new. Mamoun looks forward to working with Micah Magee, the new Directing Fiction teacher.

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The Third Man – special event at BFI Southbank 26th June

The Third Man 4K PosterMamoun is pleased to have another exploration into Carol Reed’s ‘The Third Man’ as he is introducing a screening of the newly restored 4K print, followed by a Masterclass. This is one of the rare opportunities to join Mamoun in discussion.

The screening is on Friday 26 June 2015 14:00 in NFT2

Tickets Here

Thanks to StudioCanal and David Somerset at BFI Southbank.

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Introductions to Neo Realism and Pather Panchali at the European Film College

During Mamoun’s last visit to the European Film College in March, he led two Masterclasses after viewing Bicycle Thieves and Pather Panchali. We are happy to be able to share the introductions that Mamoun gave prior to the screenings. The first is more an introduction to Neo Realist cinema. The second is a welcome return to Sayajit Ray’s Pather Panchali.

Many thanks to Nadia Kløvedal Reich, principal of EFC, and the staff and students at the European Film College.

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Introduction to ‘Rome Open City’

Mamoun gave an introduction to ‘Rome Open City’ at BFI Southbank in February. We’re presenting this introduction in a new format – one that we feel is more informative and entertaining.

This introduction was part of the NFTS/BFI Passport to Cinema series, and we would like to thank both Dominic Power, Head of Screen Arts and the NFTS, and David Somerset and the staff of BFI Southbank for their support on this and other events.

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Mamoun heads to European Film College, 17 – 19th March

Mamoun has been invited by Nadia Kløvedal Reich, principal of EFC to participate in a comprehensive introduction to Neorealism, including screenings of Roberto Rosselini’s ROME, OPEN CITY and PAISA and Lorenza Mazetti’s s poetic TOGETHER. Mamoun will also be giving Masterclasses on Vittorio De Sica’s masterpiece Bicycle Thieves and Satyajit Ray’s incomparable Pather Panchali.

He says: I always look forward to my visits to EFC. The generosity, enthusiasm and seriousness of purpose make it a very special place. I always return refreshed and energised.

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Discussion at BFI Southbank, NFT3 – Terry Davies ‘Children’ 16th – 2.00pm March

Mamoun will be taking part in a discussion with Terry Davies following a screening of Terry’s first film, CHILDREN, which Mamoun backed when he was Head of Production, BFI Production Board.

Before CHILDREN, Terry’s film diet was almost entirely Hollywood; he saw hardly any foreign films. He had no contact with people in the business, yet in CHILDREN his style seems already fully formed. You would have to look hard to find Hollywood but you might catch glimpses, and hear echoes, of Ozu, Bresson, Satyajit Ray, even Dreyer, but he had seen none of their films at this stage. This is both puzzling and phenomenal. Artists rarely understand their own inner workings, nonetheless, it will be interesting to learn what Terry has to say about this.

The following day Mamoun travels to the European Film College in Denmark

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