Discussion on Lindsay Anderson – BFI Southbank – Monday 14th March

lindsay-anderson-01Mamoun is pleased to have been invited to join the panel talking about the Film and Theatre Director, Film writer and influential film critic, Lindsay Anderson.

The talk is being chaired by film critic and writer, David Robinson, and the panel includes oscar winner Kevin Brownlow, and film writer Charles Drazin.

Due to the popular public response, the event has been moved from NFT3 to NFT1.

More information can be found here.

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Babylon – a Conversation at Theatre Utopia with Lee Fairweather

We are pleased to be able to share the conversation about Babylon from the event at Theatre Utopia in December 3rd 2015.

Despite the loud live music that was being played in the same building, the conversation was lively, and covered not just the film but also the issue of positive discrimination and the politics of race in cinema and society.

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L’Avventura at the BFI Southbank


Mamoun introduced L’Avventura at the BFI Southbank on 14th December to a packed NFT3. It was the last ‘Passport to Cinema’ curated by Dominic Power as Head of Screen Arts at the NFTS.

Mamoun did not have enough time to talk about many aspects of Antonioni’s work, so there will be a follow up soon: Antonioni and what the Eye can See.

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Babylon at Theatre Utopia – afterword

babylonThere was a vigorous discussion following the screening of BABYLON at Theatre Utopia in Croydon.  Apart from the social references, a recurring question was whether BABYLON would have been financed and made today – whether the political and financial barriers are too great.  Strong views were expressed. BABYLON is still relevant; BABYLON is still alive.

Mamoun wrote an article in 2008 to accompany the DVD release by ICON FILMS. Things had changed between 1980 and 2008, and more dramatically since then. It is not the same country anymore. The generation in BABYLON are now parents, even grandparents.  We are now suffering the birth pangs of a multicultural Britain. It is more tumultuous in every way. I hope to see the new BABYLON soon.

Thank you Lee Fairweather.

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Babylon Film Screening with Q&A with Mamoun Hassan – December 3rd, Theatre Utopia, Croydon

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Mamoun will be a special guest at a screening of Babylon (1980), to take part in a Q&A with Lee Fairweather at Theatre Utopia in Croydon on Thursday 3rd December.  This was a film that Mamoun backed during his period as Head of the National Film Finance Corporation that has gone on to be a highly influential movie. Tickets are limited availability.

Sherief Hassan will be filming the Q&A to produce a limited extract of highlights which we hope to share shortly after the event.

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Mamoun’s introduction to Werner Herzog’s ‘The Enigma of Kaspar Hauser’

Mamoun introduced The Enigma of Kaspar Hauser on Monday 2nd November at the BFI Southbank in NFT2. It was a very different experience from other introductions and to that end, we have produced a different kind of re-presentation to enhance the experience.

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Gayle Griffiths – Film producer, colleague, friend

1228449_Gayle-GriffithsIt was with deep sadness that I learnt that Gayle Griffiths had died last Friday, 23 October. I saw her a few weeks ago and already knew her illness was terminal, but the fact of it is still a shock.

I first met Gayle at the National Film and Television School when she was a producing student and I was Head of Editing. We had a couple of chance encounters in the corridor of the cutting rooms where, often, better work is done than in syllabus-designed master classes, workshops and lectures. A throw-away line could lead to thirty minutes of passionate and heated exchange. And that’s what used to happen with Gayle.

I next heard from Gayle some twenty years later, when she asked me to help out as editing consultant on Sally Al Hosaini’s My brother the Devil. We got on well and talked about working together. She produced Joanna Hogg’s Exhibition next but she still had time and energy enough to find the finance to develop a project with Andres Wood, Chile’s leading director, and me. Sadly, the project has not yet reached fruition. I am truly sorry that she will not be there to see the film completed.

I realised only later that Gayle was fighting cancer throughout this time. It is amazing. Stoical is a feeble term to describe Gayle’s character and strength of will. Nothing saps the energy as much as creative people, egotistical people, gifted people, demanding people, committed people, couldn’t-care-less people, in short, an everyday film unit. Yet she produced two features on restricted budgets and was developing another and probably more that I didn’t know about, while she was on chemo and other treatments. She may have stumbled once in a while but she dusted herself down and carried on regardless. And she had time for a full and rich personal life: she married her partner Philip Swart in the middle of all this.

Her record speaks for itself: five features, some award-winning, none of them standard, with newcomer directors – an outstanding achievement. Gayle was an idealist in an industry where idealists need to masquerade as cynics to get on. None of that for Gayle, who never forgot that she was a Sunderland girl, a Yorkshire lass. She played it straight. What impressed the profession was her judgement, integrity and dependability: she was certain to deliver creatively and on budget. Film-making is sometimes compared to fighting a war. If so, then Gayle Griffiths was a damned good general, with the bonus that she could be terrific fun. She won all her battles – except the last one. I shall miss Gayle. I will not forget her.

 

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