Tag Archives: Movie Masterclass

Panel discussion on Lindsay Anderson at the BFI Southbank, curated by David Somerset

Mamoun Hassan appeared recently at the British Film Institute’s Seniors talk on the work of  film, television and stage director, critic and actor Lindsay Anderson (1923 – 1994) at the National Film Theatre, Southbank, London March 14 2016. The panel event was curated by David Somerset, Adult Community Education Programmer. Filmed by Sherief Hassan and edited by David Somerset. The video opens with a clip from Free Cinema 1956 – ?’An Essay on film by Lindsay Anderson (1985).

Lindsay Anderson panel discussion, BFI Southbank from david somerset on Vimeo.

Mamoun writes

Nowadays Lindsay Anderson, if he is remembered at all, is equally loved and disliked by film makers, film critics and writers. Not so in the late 50s, 60s and 70s. He was almost wholly admired not only for his films and theatre work but also for his writings on cinema, which were incendiary. Of course, he had his detractors, who often belonged to the establishment: the successful, the comfortable, the conformist, the smug and the paralysed conservatives. He argued and carried the flame for an authentic British cinema. He influenced a whole generation of film makers and critics. He was cerebral, emotional, provocative, censorious, intimidating, generous, inspiring. Never before had a British film director spoken with such clarity about what we should make films about and how we might make them – about style. Critics tend to belabour the genre, as if audiences can’t tell the difference between a hand and a hacksaw, between a musical and a thriller. They avoid the responsibility that Lindsay stressed: that good cinema grows out of good criticism – not of Hollywood ‘product’ but of our own films. Passion and insight start at home.

Legendary film critic David Robinson, chairman of the Lindsay Anderson Memorial Foundation, chairs a panel consisting of Kevin Brownlow, director, writer, editor and Oscar-winning film historian, Charles Drazin, author and film critic, Andrew Eaton, film producer, and me. We speak of the man we knew and sometimes worked with and of his films.

Mamoun Hassan

 

 

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Movie Masterclass – Ozu’s ‘Tokyo Story’ at the European Film College

We are pleased to share Mamoun’s masterclass on Ozu’s masterpiece, Tokyo Story. Mamoun has revisited this film several times, but this most recent visit at the European Film College in Ebeltoft allowed him to discuss the film with the students in detail.

 

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L’Avventura at the BFI Southbank


Mamoun introduced L’Avventura at the BFI Southbank on 14th December to a packed NFT3. It was the last ‘Passport to Cinema’ curated by Dominic Power as Head of Screen Arts at the NFTS.

Mamoun did not have enough time to talk about many aspects of Antonioni’s work, so there will be a follow up soon: Antonioni and what the Eye can See.

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Babylon at Theatre Utopia – afterword

babylonThere was a vigorous discussion following the screening of BABYLON at Theatre Utopia in Croydon.  Apart from the social references, a recurring question was whether BABYLON would have been financed and made today – whether the political and financial barriers are too great.  Strong views were expressed. BABYLON is still relevant; BABYLON is still alive.

Mamoun wrote an article in 2008 to accompany the DVD release by ICON FILMS. Things had changed between 1980 and 2008, and more dramatically since then. It is not the same country anymore. The generation in BABYLON are now parents, even grandparents.  We are now suffering the birth pangs of a multicultural Britain. It is more tumultuous in every way. I hope to see the new BABYLON soon.

Thank you Lee Fairweather.

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My Darling Clementine – now on Blu-Ray – featuring a Movie Masterclass!

A fantastic new Blu-Ray release of John Fords ‘My Darling Clementine‘ was released on 17th August by Arrow Video – with both the original premiered cut in 4K and the longer pre-release cut in 2K.

Clementine Blu-Ray

They are beautiful transfers that are a joy to watch, but the extras really make the set something special. Included on the first disc is the Movie Masterclass on ‘My Darling Clementine‘ written and presented by the great british director, Lindsay Anderson. As regular readers of this site will know, Mamoun devised, produced and presented this series in the late 80’s. Mamoun is delighted that Lindsay’s masterclass has been included in this set, alongside other interviews and movies.

Other Wyatt Earp pieces in the collection include a transfer of Allan Dwan’s ‘Frontier Marshall‘(1939)  and two radio plays starring Henry Fonda and Richard Conte as Earp.

As this is a limited edition, we advise you to get hold of it while you can.

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Mamoun returns to the European Film College – 23rd and 24th September

Children are watching us

I Bambini Ci Guardano 1944 (The Children are Watching us)

Mamoun is looking forward to his yearly visit to the European Film College to give two masterclasses on De Sica’s Bicycle Thieves and  Ozu’s Tokyo Story However there will be a twist. His discussion will also refer to De Sica’s pre-neorealist film The Children are watching Us (1944). He will explore how De Sica’s craft developed but also how certain inspirations persisted.

Under principal Nadia Kloverdahl Reich the College is developing physically and educationally – with a new building and a new faculty amongst many changes. A happy combination of the old and the new. Mamoun looks forward to working with Micah Magee, the new Directing Fiction teacher.

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The Third Man – special event at BFI Southbank 26th June

The Third Man 4K PosterMamoun is pleased to have another exploration into Carol Reed’s ‘The Third Man’ as he is introducing a screening of the newly restored 4K print, followed by a Masterclass. This is one of the rare opportunities to join Mamoun in discussion.

The screening is on Friday 26 June 2015 14:00 in NFT2

Tickets Here

Thanks to StudioCanal and David Somerset at BFI Southbank.

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