On June 13 2013, we posted an introduction to Kurosawa’s STRAY DOG at the National Film & Television School.
At the time the question of the use of clips was not clear and we chose not to risk infringing copyright.
We now include clips under the conditions of ‘Fair Dealing’ in the UK, or ‘Fair Use’ in the US.
So we are here with the first, ‘Revisit’ to Movie Masterclass introductions.
‘All Quiet on the Western Front’ (Dir. Lewis Milestone 1930 – based on the novel of the same name by Erich Maria Remarque) was shown during a BFI season curated by Christopher Nolan to celebrate the release of his new film ‘Dunkirk’, as a film that is a major influence on his work.
Chaired by David Somerset, Kevin Brownlow and Mamoun Hassan discussed the film before a live audience following its screening at the National Film Theatre, British Film Institute, London Southbank, 6 July 2017.
Kevin Brownlow is the acknowledged authority on the films and history of silent cinema. His first book, ‘The Parade’s Gone by…’ (1963), was transformative in our understanding and appreciation of that era. Satyajit Ray called it ‘one of the most important film books of our time’. Brownlow is the author of many outstanding books and documentaries, and, with Andrew Mollo, he wrote and directed two of Britain’s most controversial political films: ‘It Happened Here’ and ‘Winstanley’. In 2010 Brownlow was awarded an honorary Oscar – ‘For the wisdom and devoted chronicling of the cinema parade’.
Mamoun Hassan is a producer, director, screenwriter, film executive, teacher and deviser of C4’s innovative ‘Movie Masterclass’ series. Most recently he was co-writer on Andres Wood’s ‘Machuca’, Chile’s most successful film, and screenwriter on Andres Wood’s ‘La Buena Vida’, a winner of the coveted Goya Award.
This event took place through the determination, commitment and passion of David Somerset at the BFI.
The recording of the event was marred by the failure of the close up camera.
We are pleased to share Mamoun’s masterclass on Ozu’s masterpiece, Tokyo Story. Mamoun has revisited this film several times, but this most recent visit at the European Film College in Ebeltoft allowed him to discuss the film with the students in detail.
Mamoun introduced L’Avventura at the BFI Southbank on 14th December to a packed NFT3. It was the last ‘Passport to Cinema’ curated by Dominic Power as Head of Screen Arts at the NFTS.
Mamoun did not have enough time to talk about many aspects of Antonioni’s work, so there will be a follow up soon: Antonioni and what the Eye can See.
There was a vigorous discussion following the screening of BABYLON at Theatre Utopia in Croydon. Apart from the social references, a recurring question was whether BABYLON would have been financed and made today – whether the political and financial barriers are too great. Strong views were expressed. BABYLON is still relevant; BABYLON is still alive.
Mamoun wrote an article in 2008 to accompany the DVD release by ICON FILMS. Things had changed between 1980 and 2008, and more dramatically since then. It is not the same country anymore. The generation in BABYLON are now parents, even grandparents. We are now suffering the birth pangs of a multicultural Britain. It is more tumultuous in every way. I hope to see the new BABYLON soon.
Thank you Lee Fairweather.
Mamoun will be a special guest at a screening of Babylon (1980), to take part in a Q&A with Lee Fairweather at Theatre Utopia in Croydon on Thursday 3rd December. This was a film that Mamoun backed during his period as Head of the National Film Finance Corporation that has gone on to be a highly influential movie. Tickets are limited availability.
Sherief Hassan will be filming the Q&A to produce a limited extract of highlights which we hope to share shortly after the event.
Mamoun introduced The Enigma of Kaspar Hauser on Monday 2nd November at the BFI Southbank in NFT2. It was a very different experience from other introductions and to that end, we have produced a different kind of re-presentation to enhance the experience.